Wednesday 31 October 2012

The History of Lyric Cards in Music Videos

In our music video, we plan to use lyric cards - I have written about this in detail in another post. The inspiration for this idea has come through several music videos where lyric cards are used to make the music video stand out and appear different.

One of the first music videos to use the idea of lyric/cue cards is the music video for Subterranean Homesick Blues by Bob Dylan. This black and white music video only put the most significant words from each line onto each card - this simplifies the lyric cards and stops them from becoming confusing. Because of this, we will try lyric cards with only the major parts of each line on them as well as the lyric cards with the whole line written on them that I have already made.



This music video is also set in an industrial location that connotes the position of the industry of the 1960s. In our music video, we plan to set the shot with the lyric cards next to a red Postbox that will act as a cultural signifier of Britain - this is similar to using the location of the music video for Subterranean Homesick Blues as a signifier of the position of the industry at that time.

This music video is so iconic that it has been copied and referenced many times - one example is the parody of the music video performed by Jake Humphrey and David Coulthard as the intro to the BBC's coverage of the 2012 Australian GP (a Formula 1 race).



In this video, the location is used as a cultural signifier again. The graffiti on the wall is a signifier of the modern age of creativity, art, and youth. The lyric cards are similar to the ones used in the original music video, in terms of the lyrics themselves, but there are many exceptions. These exceptions are there to make the song relevant to Formula 1 - as it is a Formula 1 TV show - but some of the exceptions are very similar to the actual lyrics used in the original music video. An example of this is when Jake Humphrey reveals a card with the word "off" written on it and "laid off" is heard in the background - a reference to when Sergio PĂ©rez had to miss some races after a large crash in the third qualifying session for the previous years (2011) Monaco Grand Prix. This is similar to the point in the original music video where the lyric card with "laid off" is revealed and the same words are heard - these points in the two music videos are very similar, but also very different. This intelligent adaptation of the original music video produces what is, in my view, a worthy, high quality parody.

Furthermore, the montage of the 2011 Formula 1 World Championship that is placed onto the wall in the background of the parody not only strengthens the links to Formula 1, but supports the graffiti as another reference to the modern era that has embraced technology.

2 comments:

  1. Well done Will, I enjoyed reading your post and it's strong link to your planning re lyric cards. Your intertextual reference to the parody is interesting.
    I suggest you check out Dylan's original music video on Wikipedia as it will provide you with the ideology of the lyrics whilst placing it in the historical/political context of the period -whilst explaining the strong links Dylan's lyrics had withth culture of the early 1960's.

    Note Alan Ginsberg a famous beat poet of the period is in the background of the mise-en-scene, this also adds further connotations to the music viddeo. I'd strongly suggest t you do a further search re this poet and why Dylan included him lurking in the background!!

    This research would further strengthen your coursework, add interest and reflect your ability to engage in independent research.
    Keep up the good work Will.

    Try this link about the Beat Generation:

    http://www.youtube.com/watch?v=k6JqjCB_7_I

    and Ginsberg reading his poem "Howl"

    http://www.youtube.com/watch?v=2p_kKhRmRkM&feature=related

    Hope you enjoy the Ginsberg experience which wll help you understand why Dylan (also a great poet) put Ginsberg in his music video.

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  2. I've just spotted another connection between Ginsberg and Dylan - they're both Jewish and in this music video Ginsberg is dressed up as a Rabi! This could suggest that Ginsberg is awarding the new Jewish poet, Dylan (influenced by the Beat generation) status!

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